{"id":2653,"date":"2021-07-13T09:50:10","date_gmt":"2021-07-13T07:50:10","guid":{"rendered":"https:\/\/www.lostwomenart.de\/?post_type=artist&p=2653"},"modified":"2021-07-13T09:50:11","modified_gmt":"2021-07-13T07:50:11","slug":"lotte-laserstein","status":"publish","type":"artist","link":"https:\/\/www.lostwomenart.de\/en\/artist\/lotte-laserstein\/","title":{"rendered":"Lotte Laserstein"},"content":{"rendered":"\t
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1898 \u2013 1993 \/ German-Swedish painter of the New Objectivity<\/h6>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n
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“Lotte Laserstein \u2013 a name we need to remember. The artist is one of the very best of the new generation of painters. Her shining ascent remains to be followed.”<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\tBerliner Tageblatt [“Berlin Daily Newspaper”], 1929 \t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/figure>\n<\/section>\n\n\t
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Shining talent<\/h5>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n
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Laserstein succeeded in something that was anything but self-evident for a female artist in the 1920s and 1930s: as of 1921, she attended the Berlin Academy of Fine Arts \u2013 which had only begun admitting women in 1919 \u2013 and then secured her financial independence by founding her own painting school. She was well-networked and stood on her own two feet. From early on she participated in competitions and skilfully presented her work where it got attention: in the media. Illustrated periodicals were the key medium of the Weimar Republic, and Laserstein used them to present her art.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n\t

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The “New Woman”<\/h5>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n
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With well-chosen pictorial themes, she presented representations of the “New Woman” amidst society and contemporary social life \u2013 as a sporty tennis player or a casually elegant guest at a coffee house. Laserstein caught the pulse of the times and embodied the self-confident type of woman of 1920s Berlin par excellence.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n

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“Laserstein is a painter of people. The theme of the modern, emancipated women pervades her work like a leitmotif. And she found an ideal model in her friend, Traute Rose.”<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\tAnna-Carola Krausse, Art Historian\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/figure>\n<\/section>\n\n
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