{"id":2644,"date":"2021-07-12T15:50:24","date_gmt":"2021-07-12T13:50:24","guid":{"rendered":"https:\/\/www.lostwomenart.de\/?post_type=artist&#038;p=2644"},"modified":"2021-07-12T15:50:25","modified_gmt":"2021-07-12T13:50:25","slug":"marie-laurencin","status":"publish","type":"artist","link":"https:\/\/www.lostwomenart.de\/en\/artist\/marie-laurencin\/","title":{"rendered":"Marie Laurencin"},"content":{"rendered":"\t<section class=\"block block-headline\" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-1 col-md-10\">\n\t\t\t\t\t<div class=\"box text-align-center\">\n\t\t\t\t\t\t<h6 class='stagger-item'>1883 \u2013 1956 \/ French painter with a style between cubism and fauvism<\/h6>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n<section class=\"block block-standard-quote\"  style=\"--color-base: #256a67;\">\n\t<figure>\n\t\t<div class=\"container-fluid\">\n\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t<div class=\"col-xs-11 col-md-10\" > <!--data-motion-text='{\"child\":\"blockquote\"}'-->\n\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t<blockquote class=\"zeplin-quote stagger-item\">\u201cWhy should I paint dead fish, onions and beer glasses? Women are so much prettier.\u201d<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-11 col-md-10\">\n\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t<figcaption class=\"zeplin-quoteName uppercase padding-top-sixth padding-bottom-sixth\">\n\t\t\t\t\t\t\t\tBerthe Morisot\t\t\t\t\t\t\t\t<div class=\"zeplin-quoteName_line\">\n\t\t\t\t\t\t\t\t\t<div class=\"zeplin-quoteName_line_fill\"><\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/figure>\n<\/section>\n\n\n<section class=\"block block-copy  copy-small bg-no \">\n\t\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-3 col-md-6\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t<div class=\"page\" title=\"Page 8\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p class=\"p1\">Despite considerable opposition, from a very young age Marie Laurencin was able to assert her desire to become an artist. She began a porcelain painting apprenticeship, where her remarkable artistic talent was quickly recognized. This led to her acceptance to Acad\u00e9mie Humbert in Paris. Acquaintances initiated her into the bohemian scene in Paris, introducing her to painters like Pablo Picasso, George Braque and Henri Matisse. She experimented with cubism and fauvism, dissected motifs into planes, played with perspective and subjective colour schemes. Even her earliest sketches attest to her extraordinary talent and visionary perspective.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n<section class=\"block block-standard-image block-standard-image-medium\"  data-parallax='{\"child\":\".image-wrapper\",\"mask\":\".lazy-media\",\"masking\":true,\"breakpoint\":{\"tablet\":true,\"desktop\":true},\"full\":{\"y\":[-15,15]}}'> <!-- data-motion-parallax='{\"child\":\".image-wrapper\",\"mask\":\".lazy-media\",\"tween\":{\"yPercent\": [-15,15]}}' -->\n\t\t\t<div class=\"container-fluid\">\n\t\t\t<div class=\"row\">\n\t\t\t\t<div class=\"col-xs-10 col-md-9\">\n\t\t\t\t\t\n\t\t<lazy-media-inline inline-template>\n\t\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" id=\"media_66322d83014b5\">\n\t\t\t\t<script type=\"application\/json\" ref=\"data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"Marie-Laurencin_Self-portrait-1928_Wikiart-fairuse-266x300.jpg\",\"width\":266,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"thumbnail\":{\"file\":\"Marie-Laurencin_Self-portrait-1928_Wikiart-fairuse-150x150.jpg\",\"width\":150,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"small\":{\"file\":\"Marie-Laurencin_Self-portrait-1928_Wikiart-fairuse-390x440.jpg\",\"width\":390,\"height\":440,\"mime-type\":\"image\\\/jpeg\"},\"semi\":{\"file\":\"Marie-Laurencin_Self-portrait-1928_Wikiart-fairuse-514x580.jpg\",\"width\":514,\"height\":580,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"Marie-Laurencin_Self-portrait-1928_Wikiart-fairuse.jpg\",\"width\":532,\"height\":600}},\n\t\t\t\t\"alt\" : \"\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2021\\\/06\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Trailer abspielen\",\n\t\t\t\t\"brightness\" : 100,\n\t\t\t\t\"crop\" : null,\n\t\t\t\t\"background\" : false,\n\t\t\t\t\"scale\" : 1\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t\t<div class=\"height-container\" style=\"padding-bottom:112.78195488722%; \" v-if=\"sizes\">\n\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\"><\/lazy-media>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t<figcaption>\n\t\t\t\t\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Marie Laurencin, Selbstportrait, 1928<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">&copy; VG BILDKUNST 2021 <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t<\/lazy-media-inline>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\t<section class=\"block block-headline margin-bottom-third\" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-3 col-md-6\">\n\t\t\t\t\t<div class=\"box \">\n\t\t\t\t\t\t<h5 class='stagger-item'>Recognition in Montmartre<\/h5>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-copy  copy-small bg-no \">\n\t\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-3 col-md-6\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t<div class=\"page\" title=\"Page 8\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p class=\"p1\">Laurencin quickly made a name for herself as an independent female artist, joining Sonia Delaunay and Suzanne Valadon as one of the very few women who managed to gain acceptance in male-dominated Montmartre. Laurencin received support from art dealer Berthe Weill, who was the first Parisian gallerist to show Pablo Picasso\u2019s work and, as a woman in a male-dominated field herself, supported the few female artists of Montmartre. Laurencin exhibited her work at Weill\u2019s gallery in 1908, having had her first public exhibition one year earlier at Salon des Ind\u00e9pendants. The influential American art collector and author Gertrude Stein was also taken with Laurencin\u2019s style and purchased her paintings. In 1913, Laurencin took part in the legendary Armory Show<i> <\/i>in New York, which ushered in American modern art. A grand total of seven of her pieces were shown among the work of the most important figures of European modern art: Pablo Picasso, Henri Matisse, George Braque, Robert Delaunay, Vincent van Gogh, Paul Gauguin, \u00c9douard Manet, Edvard Munch, Kazimir Malevich and Wassily Kandinsky. <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n\t<section class=\"block block-headline margin-bottom-third\" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-3 col-md-6\">\n\t\t\t\t\t<div class=\"box \">\n\t\t\t\t\t\t<h5 class='stagger-item'>Self-assured style<\/h5>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-copy  copy-small bg-no \">\n\t\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-3 col-md-6\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t<p class=\"p1\">In Paris, Laurencin soon became an established painter, enjoying the company of French cubists like Robert Delaunay, Jean Metzinger and Francis Picabia. Nevertheless, she kept a certain distance. Rather than devoting herself entirely to cubism or fauvism, she found her own ethereal, almost timeless style.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">With delicately arching contours and an atmospheric colour palette, she painted mainly female figures \u2013 pale creatures with dark, melancholy eyes. Her other motifs were flowers, birds, dogs, and guitars. Her representations, though figurative, often come close to abstraction. The contours blur, while pastel blues, pinks, and greens lead the viewer into a mystical world.<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n<section class=\"block block-standard-image block-standard-image-full\"  data-parallax='{\"child\":\".image-wrapper\",\"mask\":\".lazy-media\",\"masking\":true,\"breakpoint\":{\"tablet\":true,\"desktop\":true},\"full\":{\"y\":[-15,15]}}'> <!-- data-motion-parallax='{\"child\":\".image-wrapper\",\"mask\":\".lazy-media\",\"tween\":{\"yPercent\": [-15,15]}}' -->\n\t\t\t\n\t\t<lazy-media-inline inline-template>\n\t\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" id=\"media_66322d8302108\">\n\t\t\t\t<script type=\"application\/json\" ref=\"data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"Marie-Laurencin_The-Rehearsal-1936_Wikiart-fairuse-300x300.jpg\",\"width\":300,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"thumbnail\":{\"file\":\"Marie-Laurencin_The-Rehearsal-1936_Wikiart-fairuse-150x150.jpg\",\"width\":150,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"small\":{\"file\":\"Marie-Laurencin_The-Rehearsal-1936_Wikiart-fairuse-440x440.jpg\",\"width\":440,\"height\":440,\"mime-type\":\"image\\\/jpeg\"},\"semi\":{\"file\":\"Marie-Laurencin_The-Rehearsal-1936_Wikiart-fairuse-580x580.jpg\",\"width\":580,\"height\":580,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"Marie-Laurencin_The-Rehearsal-1936_Wikiart-fairuse.jpg\",\"width\":601,\"height\":600}},\n\t\t\t\t\"alt\" : \"\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2021\\\/06\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Trailer abspielen\",\n\t\t\t\t\"brightness\" : 100,\n\t\t\t\t\"crop\" : null,\n\t\t\t\t\"background\" : false,\n\t\t\t\t\"scale\" : 1\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t\t<div class=\"height-container\" style=\"padding-bottom:99.833610648918%; \" v-if=\"sizes\">\n\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\"><\/lazy-media>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t<figcaption>\n\t\t\t\t\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Marie Laurencin, The Rehearsal, 1936<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">&copy; VG BILDKUNST 2021 <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t<\/lazy-media-inline>\n\t\t\t<\/section>\n\n\n<section class=\"block block-copy  copy-small bg-no \">\n\t\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-3 col-md-6\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t<p class=\"p1\">Throughout her career, Laurencin took on various commissions, created costumes and sets for theatre and dance pieces, including the prestigious Ballets Russe, and illustrated books. After years of exile in Spain and Germany, she experienced her greatest commercial success in 1920s and 30s Paris. She was a renowned portrait painter of high society, and it became fashionable to have a Laurencin hanging in one\u2019s parlour. Coco Chanel had her portrait painted by Laurencin, but the fashion designer rejected the final work and refused to purchase it \u2013 apparently, she couldn\u2019t identify with the mystical pastel colours and atmospheric quality of the piece. Perhaps she saw the delicate, ultra-feminine style as a threat to her professional reputation as a designer of clean, functional, masculine fashion.<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n<section class=\"block block-standard-image block-standard-image-medium\"  data-parallax='{\"child\":\".image-wrapper\",\"mask\":\".lazy-media\",\"masking\":true,\"breakpoint\":{\"tablet\":true,\"desktop\":true},\"full\":{\"y\":[-15,15]}}'> <!-- data-motion-parallax='{\"child\":\".image-wrapper\",\"mask\":\".lazy-media\",\"tween\":{\"yPercent\": [-15,15]}}' -->\n\t\t\t<div class=\"container-fluid\">\n\t\t\t<div class=\"row\">\n\t\t\t\t<div class=\"col-xs-10 col-md-9\">\n\t\t\t\t\t\n\t\t<lazy-media-inline inline-template>\n\t\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" id=\"media_66322d8302809\">\n\t\t\t\t<script type=\"application\/json\" ref=\"data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"Marie-Laurencin_Coco-Chanel_ungeklaert-235x300.jpg\",\"width\":235,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"thumbnail\":{\"file\":\"Marie-Laurencin_Coco-Chanel_ungeklaert-150x150.jpg\",\"width\":150,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"small\":{\"file\":\"Marie-Laurencin_Coco-Chanel_ungeklaert-344x440.jpg\",\"width\":344,\"height\":440,\"mime-type\":\"image\\\/jpeg\"},\"semi\":{\"file\":\"Marie-Laurencin_Coco-Chanel_ungeklaert-454x580.jpg\",\"width\":454,\"height\":580,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"Marie-Laurencin_Coco-Chanel_ungeklaert-563x720.jpg\",\"width\":563,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"Marie-Laurencin_Coco-Chanel_ungeklaert.jpg\",\"width\":626,\"height\":800}},\n\t\t\t\t\"alt\" : \"\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2021\\\/06\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Trailer abspielen\",\n\t\t\t\t\"brightness\" : 100,\n\t\t\t\t\"crop\" : null,\n\t\t\t\t\"background\" : false,\n\t\t\t\t\"scale\" : 1\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t\t<div class=\"height-container\" style=\"padding-bottom:127.79552715655%; \" v-if=\"sizes\">\n\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\"><\/lazy-media>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t<figcaption>\n\t\t\t\t\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Marie Laurencin, Portrait von Coco Chanel<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">&copy; VG BILDKUNST 2021 <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t<\/lazy-media-inline>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n<section class=\"block block-copy  copy-small bg-no \">\n\t\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-3 col-md-6\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t<p class=\"p1\">Even today, Laurencin\u2019s work is often referred to as feminine, and Laurencin herself is regarded as the muse of the writer Guillaume Apollinaire, with whom she had a relationship for several years. This was a classic role ascribed to women artists in avant-garde circles. In reality, Laurencin led a liberated life, was a professed bisexual, and was one of the first woman artists to depict female homosexuality.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n<section class=\"block block-standard-image block-standard-image-full\"  data-parallax='{\"child\":\".image-wrapper\",\"mask\":\".lazy-media\",\"masking\":true,\"breakpoint\":{\"tablet\":true,\"desktop\":true},\"full\":{\"y\":[-15,15]}}'> <!-- data-motion-parallax='{\"child\":\".image-wrapper\",\"mask\":\".lazy-media\",\"tween\":{\"yPercent\": [-15,15]}}' -->\n\t\t\t\n\t\t<lazy-media-inline inline-template>\n\t\t\t<figure itemscope itemtype=\"http:\/\/schema.org\/ImageObject\" class=\"lazy-media-inline \" role=\"group\" id=\"media_66322d8302f59\">\n\t\t\t\t<script type=\"application\/json\" ref=\"data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-221x300.jpg\",\"width\":221,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-753x1024.jpg\",\"width\":753,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"thumbnail\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-150x150.jpg\",\"width\":150,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-768x1045.jpg\",\"width\":768,\"height\":1045,\"mime-type\":\"image\\\/jpeg\"},\"1536x1536\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-1129x1536.jpg\",\"width\":1129,\"height\":1536,\"mime-type\":\"image\\\/jpeg\"},\"2048x2048\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-1505x2048.jpg\",\"width\":1505,\"height\":2048,\"mime-type\":\"image\\\/jpeg\"},\"small\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-323x440.jpg\",\"width\":323,\"height\":440,\"mime-type\":\"image\\\/jpeg\"},\"semi\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-426x580.jpg\",\"width\":426,\"height\":580,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-529x720.jpg\",\"width\":529,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-941x1280.jpg\",\"width\":941,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum-1411x1920.jpg\",\"width\":1411,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"Marie-Laurencin-Les-Desguises_Hagginmuseum.jpg\",\"width\":1900,\"height\":2585}},\n\t\t\t\t\"alt\" : \"\",\n\t\t\t\t\"path\" : \"\\\/wp-content\\\/uploads\\\/2021\\\/06\\\/\",\n\t\t\t\t\"video\" : null,\n\t\t\t\t\"autoplay\" : null,\n\t\t\t\t\"youtube\" : null,\n\t\t\t\t\"youtubelabel\" : \"Trailer abspielen\",\n\t\t\t\t\"brightness\" : 100,\n\t\t\t\t\"crop\" : null,\n\t\t\t\t\"background\" : false,\n\t\t\t\t\"scale\" : 1\t\t\t\t}\n\t\t\t<\/script>\n\n\t\t\t\t<div class=\"height-container\" style=\"padding-bottom:136.05263157895%; \" v-if=\"sizes\">\n\t\t\t\t\t<lazy-media :inline=\"true\" :alt=\"alt\" :sizes=\"sizes\" :scale=\"scale\" :brightness=\"brightness\" :path=\"path\" :video=\"video\" :autoplay=\"autoplay\" :youtube=\"youtube\" :crop=\"crop\" :youtubelabel=\"youtubelabel\" :background=\"background\"><\/lazy-media>\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t<figcaption>\n\t\t\t\t\t\t\t<div class=\"figcaption-wrapper\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-label\">Marie Laurencin, Zwei K&ouml;pfe, 1935<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media-image-description\">&copy; VG BILDKUNST 2021 <\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t<\/lazy-media-inline>\n\t\t\t<\/section>\n\n<section class=\"block block-standard-quote\"  style=\"--color-base: #256a67;\">\n\t<figure>\n\t\t<div class=\"container-fluid\">\n\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t<div class=\"col-xs-11 col-md-10\" > <!--data-motion-text='{\"child\":\"blockquote\"}'-->\n\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t<blockquote class=\"zeplin-quote stagger-item\">\u201cThe fact that her work didn\u2019t fit into the canon of cubist art resulted in Laurencin being excluded from art history after her death.\u201d<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-xs-11 col-md-10\">\n\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t<figcaption class=\"zeplin-quoteName uppercase padding-top-sixth padding-bottom-sixth\">\n\t\t\t\t\t\t\t\tCamille Morineau, Director of AWARE\t\t\t\t\t\t\t\t<div class=\"zeplin-quoteName_line\">\n\t\t\t\t\t\t\t\t\t<div class=\"zeplin-quoteName_line_fill\"><\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/figure>\n<\/section>\n\n\t<section class=\"block block-headline margin-bottom-third\" >\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\t\t\t\t<div class=\"col-xs-12 col-md-offset-3 col-md-6\">\n\t\t\t\t\t<div class=\"box \">\n\t\t\t\t\t\t<h5 class='stagger-item'>Too feminine for European art history?<\/h5>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section class=\"block block-copy  copy-small bg-no \">\n\t\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col-xs-12 col-md-offset-3 col-md-6\">\n\t\t\t\t<div class=\"box\">\n\t\t\t\t\t<div class=\"copy\">\n\t\t\t\t\t\t<p class=\"p1\">Laurencin\u2019s unique style, which was an elegant balancing act between cubism and fauvism, may have made it difficult for art historians to categorize her. But while European art history largely excluded its avant-garde female artists, in Japan Laurencin is venerated and regarded as an equal to Braque and other male painters of her generation. Perhaps the Japanese can appreciate her poetic, ethereal style because they have a different, non-dismissive regard for the decorative arts. Private collector Masahiro Takano opened his Marie Laurencin Museum in Nagano in 1983, and then another in Tokyo in 2017. The Tokyo branch now houses 600 of Laurencin\u2019s paintings. Back in Europe, Laurencin received brief attention in 2014, when German art forger Beltracchi claimed to have forged two of her paintings. In a way, that deed can be regarded as a tribute to this great modern artist.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":736,"template":"","_links":{"self":[{"href":"https:\/\/www.lostwomenart.de\/en\/wp-json\/wp\/v2\/artist\/2644"}],"collection":[{"href":"https:\/\/www.lostwomenart.de\/en\/wp-json\/wp\/v2\/artist"}],"about":[{"href":"https:\/\/www.lostwomenart.de\/en\/wp-json\/wp\/v2\/types\/artist"}],"version-history":[{"count":2,"href":"https:\/\/www.lostwomenart.de\/en\/wp-json\/wp\/v2\/artist\/2644\/revisions"}],"predecessor-version":[{"id":2646,"href":"https:\/\/www.lostwomenart.de\/en\/wp-json\/wp\/v2\/artist\/2644\/revisions\/2646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lostwomenart.de\/en\/wp-json\/wp\/v2\/media\/736"}],"wp:attachment":[{"href":"https:\/\/www.lostwomenart.de\/en\/wp-json\/wp\/v2\/media?parent=2644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}