{"id":2163,"date":"2021-06-08T22:08:40","date_gmt":"2021-06-08T20:08:40","guid":{"rendered":"https:\/\/www.lostwomenart.de\/?post_type=artist&p=2163"},"modified":"2021-06-08T22:31:04","modified_gmt":"2021-06-08T20:31:04","slug":"claude-cahun","status":"publish","type":"artist","link":"https:\/\/www.lostwomenart.de\/en\/artist\/claude-cahun\/","title":{"rendered":"Claude Cahun"},"content":{"rendered":"\t
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1894 \u2013 1954 \/ French author and surrealist photographer<\/h6>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n
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\u201cUnder this mask, another mask. I will never be finished removing all these faces.\u201d\u00a0<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\tClaude Cahun\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/figure>\n<\/section>\n\n\n
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With two cute curls framing her brow and a painted heart on each cheek \u2013 this is how Claude Cahun chose to appear in her self-portrait. Yet this rather coquettish pose conceals just how politically radical and ground-breaking Cahun\u2019s art really was.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n\t

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Artistic self-discovery<\/h5>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n
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In her younger years, Cahun turned her hand to many different artistic endeavours, including writing, photography, collage, and theatre. Her artistic journey of self-discovery was encouraged by her wealthy upper-middle class family. Shortly after her birth in 1894, Cahun was sent to live with her grandmother in Nantes, but her father and uncle \u2013 both of whom were politically active newspaper publishers \u2013 were to influence her greatly as well.\u00a0<\/span><\/p>\n

In 1909 Cahun met her stepsister Suzanne, who would become her closest ally and subsequent romantic partner. From 1913, Suzanne called herself Marcel Moore and in 1920 Cahun formally renounced her given female name to become Claude Cahun.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n

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\u201cShuffle the cards. Masculine? Feminine? It depends on the situation\u201d<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\u2015\u00a0Claude Cahun in her autobiography \u201cDisavowels\u201d\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/figure>\n<\/section>\n\n\t
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Work in the surrealists\u2019 circle<\/h5>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n
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The couple moved to Paris where they ran an artists\u2019 salon. During this period, Cahun studied at the Sorbonne. In this new environment they gained access to the circle of surrealists that included Andr\u00e9 Breton, Jacqueline Lamba and Ren\u00e9 Crevel, while also developing close ties to other queer intellectuals. During this time Claude Cahun created many of her impressive and innovative self-portraits, though she was only ever to publish one of these images during her lifetime.<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n

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